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The Play That Goes Wrong is a riotous romp of a play within a play about a hapless amateur dramatic society’s attempts to put on a 1920s Agatha Christie-style murder drama.
Of course everything goes very, very wrong, and the production within the production is a complete disaster, but it’s a slapstick tongue-in-cheek wrong that has had audiences flocking to see it.
We could spend an entire summer’s day just in our local neighbourhood park, which in our case just happens to be up there with the greatest city parks in the world. Lucky for us Hyde Park (and Kensington Gardens) and Green Park are just a hop, skip and jump away from our front door, and make up a chain of royal parks that stretch from Kensington to Westminster, from Notting Hill Gate to Downing Street.
Painting with Light at Tate Britain covers art and photography from the Pre-Raphaelites to the modern age.
The invention of photography revolutionised the visual arts, allowing images of ‘real’ life to be captured for posterity for the first time. Early photography started to take off in the 1830s and 1840s, coinciding with the founding of the Pre-Raphaelite Brotherhood and just as 19th-century artists, especially JMW Turner, were experimenting with light and panoramic views. The two art forms had a marked effect upon each other, each mirroring the other medium to a degree.
The Royal Shakespeare Company is bringing seven plays to London over the course of this special Shakespeare year, the 400th anniversary of the playwright’s death.
The London season includes Gregory Doran’s King Lear starring longtime partner Anthony Sher and Ben Jonson’s play about human vanity The Alchemist, directed by Polly Findlay (who directed Treasure Island at the National last year).
A shiny new version of the scandalous beggar’s musical classic The Threepenny Opera is picking theatregoers’ pockets (in a good way) over the summer on the National Theatre’s main stage.
Rory Kinnear leads the cast, playing the antihero Macheath in Bertolt Brecht’s play with music, rewritten here by well-versed playwright Simon Stephens and directed by the NT’s artistic director, Rufus Norris.
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The Connaught, Carlos Place, Mayfair, London, W1K 2AL +44 (0)20 7499 7070
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